The Magic of Joe Ferranti has entertained numerous audiences for over a decade. He has gained a reputation as one of the best in Close Up/Comedy Magic in the Greater Boston area.
Joe Ferranti presents two styles of Close-Up Magic. Strolling/Walk Around Magic and his very popular Intimate Parlor Show.
We would love to have a conversation with you about your event. Please call 339-927-4710 for a no pressure consultation.
Showing posts with label Boston Magician. Show all posts
Showing posts with label Boston Magician. Show all posts
Not long ago, the only people looking for Birthday Magicians were parents interested in making their child's Birthday Special. It is still the major search for birthday Parties.
Why not, it is perfect entertainment for a crowd of kids. See some videos of kids laughing and screaming!
I do pretty much the same thing, except my audience age is somewhere between 17 to 100 years old. (Yes, I've done exactly that, and every age in between.
Just a little caveat, make sure you search for Adult Birthday Magicians...check out Google or any search engine. There are many to choose from, you'll find me there amongst the crowd.
I'd love to be your choice, here's my latest google Review.
I booked Joe for my fiancé’s birthday, and he was fantastic!!! From the first call to inquire about his services, to saying goodbye after his performance, working with Joe was a pleasure and a smooth process. We agreed Joe would meet us at a bowling alley at 9pm after our birthday dinner at a nearby restaurant. Our dinner was running late, so I stepped out to call Joe and let him know. He told me it was no problem at all and not to rush, which eased my mind greatly. We showed up to the bowling alley at 9:30pm and met Joe and his wife waiting there for us, they were so warm and kind. Joe’s magic was incredible, and he was very funny and engaging with our guests. His wife was so sweet and filmed the whole thing. We all had such a great time and are still talking about it days later. He made my fiancé’s birthday so special. Joe is an amazing magician, and very easy, flexible, and adaptable to work with.
If you are hearing a "tooting" sound, that would be me, blowing my own horn.
Give me a call 339-927-4710, Let's make someone's Birthday, special.
My last blog focused on what is essential reading for magicians, or if that is becoming increasingly moot.
There is no simple answer. I lean towards yes, but let's look at our "student" of magic in the 21st century, compared to my day in the latter part of the 20th century.
Where do our next generation of magicians go to learn the secrets of magic...the library? I suppose this is a rhetorical question. YouTube is the obvious answer. (Don't get ahead of me, I will not bash the YouTube lovers, I am one as well.)
Videos on the internet began in 2005. The pioneers sharing magic secrets were often amateurs with little or no talent. (Amateur magicians have often contributed excellent material as well as invention of every style of magic.) Alex Elmsley was a computer programmer by day but was also major contributor to card magic.
So, the first contributors to the field of magic on YouTube were hit or miss. I always advised the younger magicians to consider the classics books and video learning as well. The first videos were on VHS Tapes, and DVDs were not far behind. Today, downloadable videos are readily available from online magic dealers, the DVDs are fading in the sunset.
Today, you can learn a lot on YouTube from extremely talented magicians, and much of it is free. What's not to like? Here's a few resources.
Alex Pandrea, Ekaterina, and Jay Sankey, * just to mention a few. All are knowledgeable and provide excellent insights and tutorials in magic. They also have products for sale as well. YouTube has come a long way since its inception. That is the upside.
Where I see a shortcoming is we lose the history of techniques and often proper credits to the original inventors. I know there are some who simply don't care, as they just want to learn a few tricks.
David Blaine's "Street Magic" aired in April 1997. It was a new presentation style which captivated a new audience of young magicians. Soon after,they started "naming" the tricks he performed. One of the most popular became known as the Two Card Monte.
David certainly deserved credit for his personalization of the trick. In fact, his influence brought immediate copycats to his style. It surprised some magicians as they had the trick in their libraries and had passed it buy. It was hiding in an Eddie Fechter book from the 70s. You can see Pop Haydn performing it, not as the Two Card Monte but as 'Be Honest What is It?"
David also performed a levitation effect. There was a little controversy amongst magicians, which is of no importance now. Suffice to say, the trick had been around for a long time, known as The Balducci Levitation. Kudos to David for recognizing the power of a simple parlor stunt/trick.
There was no deceit from David. He just found a new audience who appreciated his style and stunned them with some of the old classics of magic. Here he performs "The Invisible Deck."
The internet and TV have popularized Magic in a way I have never seen before. Watch Penn and Teller Fool Us. If you are a well-informed magician, their use of "code" will reveal most of the secrets to you. I hope that after this new generation learns their tricks, curiosity brings them an interest in Magic history, and they discover the "Shoulders of the Giants" we all stand on. It is always good to know how we got to where we are today. History is available to the curious, and you will be better magician for knowing it.
Boston Magician
Joe Ferranti
339-927-4710
* You can monetize your YouTube channel, and I imagine this is the case, but the cost is nothing to the searcher.
Also, there are now subscription channels where users need to pay a fee for access. For example, Netrix, there are many others, you can easily find them.
My interest in magic, especially card magic, goes back over 50 years. As a child, the only learning sources available to me were in the public library. The books were few, and the secrets I desired were not to be found, at least not in my library.
It was a world without the internet.TV had 3 channels and the phones... well, our first was a "party line." You can look that up, but the party had nothing to do with having a good time.
As my interest in magic grew, I knew I had to find more sources than my local library. Using the Yellow Pages, I found some Magic Shops in Boston. Who knew?… for a price, the magician’s closely guarded secrets were available to anyone. Individual tricks were available and books on Card Magic, which was my primary interest.
My first serious "teacher" through books was Dai Vernon. He was truly the most influential close-up magician of the 20th century. He lived and breathed magic. Young magicians flocked to the Magic Castle to learn from the master.
Vernon often referenced The Expert at the Card Table as essential reading.Every magician I know has a copy. If you are interested, you can find it as a free source as it is in the public domain. I found it difficult and sometimes impossible to learn through the written words and illustrations. We can learn only by clear descriptive text and enough illustrations to make everything crystal clear. I tried following along with the text and illustrations, step by step... repeatedly, often hitting a dead end. I heard no magicians share my frustrations. Was this a case of the "Emperor's New Clothes"? Was it just me?
I am not saying that The Expert at the Card Table is of no value. Vernon was a living credit to the book.
The Expert at The Card Table has the highest accolades from the top men in the magic world. Although I was unsuccessful in translating the descriptions and illustrations into my personal arsenal of sleights and "tricks" was not to say that it can't be done.
Allan Ackerman took on a project of presenting the entire book on a DVD series. Allan performs it all, expertly. Even the infamous "One Hand Shift."
Allan is certainly one of the foremost experts of sleight-of-hand card magic spanning the 20th and 21st century. His contributions to the magic community are many, including books, DVDs, and lecture notes.
I freely admit I am not the most intelligent amongst men. My personal limitations certainly played a part in my inability to learn from this book. Also consider what attracts our interests in magic books? For most, we are interested in the "tricks, " and there are tricks in this book. They present the book in two sections. The first focuses on gambling. Use it as you choose, as a protection from being cheated at the poker table or as a source of information to steal other people's money at the poker table.
The second section focuses on magic tricks with cards, which I hope is of more interest to most of us.
As most magicians know, many superb effects exist in print, waiting for discovery by an observant and creative individual.I think of Dai Vernon's famous effect, "Out of Sight, Out of Mind." The inspiration for Vernon's classic came from The Expert at the Card Table, under the title, "A Mind Reading Trick".
One of the often mentioned critiques of the book is the dated writing/text... but one young magician turned that around and used it to advantage in a entertaining presentation. See Ricky Jay's performance using to advantage the outdated language almost directly from the book. See The Exclusive Coterie.
I urge you to explore this work yourself. It costs you nothing... the best minds in magic will tell you to study carefully and read between the lines.
Your mileage may vary.
Boston Close Up Magician Joe Ferranti www.ferrantimagic.com 339-927-4710
The Magic Entertainment of Massachusett's Magician Joe Ferranti
“Things change”... and in time honored tradition, old men complain that everything was better, back in the day. Well, I was physically a lot better, back in the day, but alas, I can not stop time, and I have no intention to complain about how things have changed.
Nicolas Ribs
I just saw a French magician (Nicolas Ribs) on AGT, summer 2022…if you saw it, I expect you would agree it was magical and entertaining. I have no idea how it was accomplished.
Will Tsai
It reminded me of a past performance by Will Tsai, known as The Rose Act. Howie Mandel said of Will’s performance, “This is the best close-up magic I have ever seen in my life!”
Magicians are often a jealous group, and many took to social media criticizing Will Tsai. Let me just say that what Will performed required skill and a little something extra. Nearly all magicians use “a little something extra”... from time to time.
I believe their objections were that, as close-up magic goes, it could not be presented in classic close-up style. Meaning that spectators could not have been seated at the table to witness the magic. This objection is unwarranted, in my opinion.
Traditionally, Close-Up Magic is unique because it is presented mere inches from the eyes of the spectators, and that’s the way it was, until the advent of TV. Cameras could share the close-up experience to large audiences. What a pleasure it was to see some of the greatest Close-Up Magicians on TV. There was no other way I would have seen Jimmy Grippo, Frank Garcia…no need for a list.
The next step was projecting close-up magic on large screens which enabled stage magicians the ability to share their skills as close-up magicians live, during their stage shows.
I remember David Copperfield performing the $100 Bill Switch in a stage performance, the use of a large screen allowed an entire theater to see the illusion close-up. On another occasion, David went into the audience and performed the Floating Rose. Again, camera and screen enabled all in attendance to witness a memorable performance.
So,what has changed? Simply, the gentlemen I first mentioned were able to perform their close-up illusions on a large stage. The difference being the inability to have a small audience witness the magic up close.
This does not seem to be a problem for the layman…think of Howie’s reaction to Will Tsai. The restrictions of viewing meant nothing to Howie.
The problem exists with “magicians”. As I said earlier, we tend to be a jealous group, knocking the achievements of others. Most often the ones who are most popular and receiving media attention. Think back to David Blaine. His first television special launched him to the top of the industry. And just as quickly he received the barbs from the so-called “cognoscente.”
But, David didn’t rest, he moved forward to bigger challenges and earned a place in magic history alongside the greatest.
So, keep an eye out for the new “Close-Up” magicians, and remember it’s not what they do on their first performance…it’s the follow up. (Well done David Blaine.)
I've only been performing for 12 years, and 10 years exclusively as an Adult Magic entertainer. My first two years I dabbled with kids' magic.
When people hear you don't perform for children, many assume you are a "snob." This is not the case; all audiences deserve the best entertainment available. To present anything less is a disservice to your clients, magic and other magicians.
I had some great shows with kids and some were not so good. Being an entertainer has its challenges, but entertaining children compounds the challenges. It is not unusual to be booked for a five-year-old birthday, but the audience may comprise 7-year-olds, 8, 9, 10, 11...?
The intellectual and emotional capacity of a 4-year-old differs vastly from an 11-year-old child. I must assume that there are magicians who can entertain the spectrum of ages. I've not seen it as I do not have the opportunity to see magicians perform at children's birthday parties.
I have found my comfort zone performing for adults, which encompasses the ages of 17 to 99. (My personal definition for adult audiences.) I use the same material for this vast age range. Every performance varies slightly, as my shows are audience interactive, but I digress.
The point is, I don't advertise or seek work with children, but to think I will never have to have entertainment for children would be foolish.
If you haven't watched the 13 second video, please do so. In my 12 years of performing, I've had every reaction you might imagine.
Last weekend at a wedding, I performed for a couple of children, and the reaction was probably the cutest I've ever had.
Boston Wedding Magician
Joe Ferranti
After Dinner Magic at a Wedding at The Marriot, Quincy Ma.
Tuesday, June 14, 2022
Boston Magician Joe Ferranti's Magic Musings
" Do That Again."... hmmm?
Magicians get together to share and hopefully learn from each other. We discuss everything about magic. I remember several times when friends were talking about what to do when a spectator asks, "do that again."
The consensus was this was a compliment. If you are a working magician, you know this is a problem. In many tricks, a repeat is usually a "lesson."
A repeat performance is likely to give away the secret, and without the secret, we have no magic. The most common solution to this request is to repeat the trick with a different method.
Think of the "Ambitious Card." Its strength lies in its repetition, and if the methods continually cancel out any assumed solutions your audience may consider, the result can be an extraordinarily strong magic effect.
But I am not talking about this type of repetition. Let's say the ending of the trick involves finding a signed card in your wallet. The card in the wallet is the "punchline." You can't repeat this trick. (to the same audience.) Think of the spectator who brings you to his friends and says, "Do the trick where the card ends up in your wallet!" You see, the problem.
Perhaps you know a method to have a card end up in a spectator's wallet. (A slightly different trick, but a good follow up,and a complete surprise.)
When possible, I like to watch other magicians perform. Recently, observing a magician perform a trick, the spectator said those words, "Do that again." I heard a tone in her voice, the pitch rising, her eyes moving to the side, looking up. Suggesting she was assessing what she saw, and concluding in her mind, "I think I know how that was done. If you do it again, I can figure it out."
There is so much going wrong here, I don't know where to begin.
But, let's cut to the chase. She didn't wait for the magician to answer her request. She ended with, "Oh, never mind." (Ouch!)
Joe Ferranti
Boston Massachusetts Close-Up Magician
339-927-4710
The exclusive Birthday Card Trick of Joe Ferranti,
As we begin, we learn a magic trick because it fascinates us. Little do we know our family may not find the same fascination. However, if you are a parent or a grandparent you are familiar with “applauding” everything our children do. On the other hand, if you do not belong to the school of, “You can become anything you want.” You may reserve your applause not wanting to see your child face disappointment.
The good news, with magic is there are many levels of performing which can be satisfying to most hobbyists to professionals. Many of our respected magicians have other jobs and still find time to perform.
Professional Magicians with other jobs
If you are a magician, a few that come to mind are John Guastaferro , John Bannon and Marc DeSousa. These gentlemen aren’t exactly hobbyists, but you get the point.
The rest of us fall somewhere in between.
Realistically, we will not attain the stature of those I named, and there is a simple reason and I do not think I have to mention it. Still, there are opportunities to perform for all who wish to, there is only one rule…”First, do no harm.” (Fact…this is not a part of the Hippocratic oath, go ahead, look it up…I’ll wait.) Here is my advice, be the best you can be, within your skill set. (BTW, we practice for life, so our skills are not static.)
Putting Together Your Show
Second, put together a show, this means you need a beginning, a middle and an end. There are many sources to learn how to do this. Don’t expect to learn this for free or by trial and error, but here's some good advice for free.
There are many sources to learn how to structure your act. If you belong to a club, seek the advice of someone who is working. Be careful not to ask everyone in your club, I’ve found that everyone likes to give advice, even those who have never actually performed.
Some magicians gladly share their shows they have structured…feel free to use that as a starting point. Do I have to mention that you should integrate your personality into the show!
Finally, do not copy any one’s act. Yes, it happens, even on the highest levels. With so many professional magicians willing to share their creations you will eventually develop your own style and have a show that is unique to you.
Continuing from my last entry, I was at Diamond’s Magic getting to know the owner, Eddie Gardner. It pleasantly surprised me to learn that Eddie discounted all books at 20%. I believe it was the same with VHS Videos. (It was a long time ago.) Well, at this point in my life, I had some expendable income, so my library quickly filled in.
I hesitated, as I am a bit of a loner. Never joining clubs as a young boy. I think Eddie took my hesitation as a sign that I didn’t want to pay the fee for the lecture. So, he invited me to be his guest… no charge. That was nice, but money was not the issue, just my insecurity, so I took a leap of faith and joined the club. It was a great experience. I learned a lot from the lectures and had a place to perform without judgment.
Learning the Craft of Performing Magic
The members of the club were welcoming and encouraged me to perform. I made a few friends who remain friends to this day. I still was not performing for “real people.” which refers to laypeople. However, a few of us who wanted a little more than a monthly meeting began getting together once a week. It was an additional safe space to perform.
I learned several members performed professionally or semi-professionally, something I never considered, as I always thought I was not good enough to do so.
With all the information I had with my library and videotapes, I learned Strolling/Walk Around Magic. Even when I thought I was ready, I did not want to take anyone’s money until I was confident in my ability to entertain with magic.
A friend of mine knew a woman who was putting on a graduation party for her son and recommended me as entertainment. So, I had a job, well not an actual job, as I would not take any money. I insisted on working for free.
My first performance at the Graduation party went very well. It was obvious the graduates enjoyed the magic by their excited reactions. The success of that performance gave me the confidence to proceed performing as a semiprofessional magician.
I now felt ready to go to work, and at just the right time, another friend offered to set up a website for me, at no charge. This was a game changer. I had met Walter Osterman through the SAM. We shared an interest in magic and enjoyed each other’s company at the local club and attended a few local conventions. I didn’t realize it, but Walter ran his own business, Social Mavens a marketing and communications agency.
Walter did it all. He came to my house, took pictures and some promo video. He put together a professional website and ran it for me for ten years, simply out of kindness.
If not for Walter’s efforts, I would not be doing what I enjoy in my retirement years. All I can say is THANK YOU. (In capital letters.)
Over the last eleven years, I have had a great journey. I still perform much of the same material I used in my first performance. The material evolves with repeated performances. You get some of the best lines by listening to your audience. The more opportunities you have to perform improves every aspect of the material. I am still learning and working at being a better entertainer each time I perform.
Referring to being a semi professional is intentional to not ruffle the feathers of the “professionals”. I deliver professional caliber magic, but I don’t pay all my bills, health insurance, etc. from my magic income. (I pay taxes on it.)
As for the full-time professionals, I have the ultimate respect. A serious professional needs to work constantly, and earn enough to pay for their own health care, not to mention, setting up their own investments for their retirement. This requires serious self discipline, and few “pros” really commit strictly to this regiment.
Advice on becoming a Professional Magician
If you decide to take this path, I would recommend you seek the wisdom of Paul Gertner.
If you ask nicely, I know Paul will share the “secrets of success”. I’m talking about the business side requirements. Paul is one of the most successful trade show magicians of my time.
What he cannot share is his hard earned talent. His list of accomplishments is very long. You may have heard of him from his appearances on Penn and Teller Fool Us. Magicians know Paul for his Steel and Silver routine. Which is a cups and balls routine with steel ball bearings. The steel balls make the trick “impossible” to understand for magicians and laypeople. He has contributed magic to David Copperfield. Also contributing material to the fraternity. He put out a VHS/DVD series named after his book Steel and Silver. One of his most popular card tricks in his book and videos series, “Unshuffled” has found its way into the repertoire of many working magicians.
If you live in the Boston area and want a Parlor Show or Strolling Magician, please contact me. 339-927-4710 The Very Best in Close-Up Magic! (except for Paul Gertner and a couple others, call me and I’ll let you know who they are.)
Thanks for making it through 5 blogs of Magical Beginnings.
Ten years have passed. I’ve been busy with other things and had no time for “magic.”
Around 1985, I had a renewed interest in sleight-of-hand magic. So I picked up where I had left off and continued my study. It was a private, quiet pleasure. I enjoyed practicing. Hours could pass, but it was not a chore. If you do not enjoy the “work” required to attain the skills necessary for sleight of hand, you’ve chosen the wrong hobby. Dai Vernon said,” If it was easy,everyone would be doing it.”
As I mentioned previously, I never had a mentor, and that came at a severe price. Although I enjoyed my books, it was impossible to learn everything from the written word. However, videotape players were common in nearly every household. In fact, there were two competing formats, but this is all history. The VHS format won the battle.
It wasn’t long before Tannen’s Magic to introduce their “Stars of Magic” Video Tapes. These featured well-known magicians teaching their material and some of the more difficult to learn sleight of hand. For the first time, the student could have a “mentor” with a video player and a TV.
When I combined my book library with some visual aids (video tapes) my skills grew rapidly.
Who is your audience?:
Performing was a unique challenge. Magic is a performance art. Ultimately, it needs an audience. This is the biggest problem for most amateur magicians. Mostly, we rely on family and friends. Honestly, we’re not the best magicians and they’re not the best audience.
Our family and friends know us well. This familiarity can make them a challenging audience. Our familiarity allows them to interrupt a performance with questions or grab our props for inspection. It’s a wonder that anyone gets past this hurdle to becoming a professional performer.
( It’s a two-way street, we also bear responsibility. Do we present our magic in a “challenging manner”? We can learn a lot when we finally perform for an audience of strangers)
The Internet arrives:
I can not remember the year, but I was searching for a “slot box” on the internet. (A slot box is a magic prop for holding coins.)
I found a supplier who apparently had what I was looking for. The company was Diamonds Magic, and I called to get information.
“Diamonds magic…” were the first words I heard. I learned I was talking to Eddie Gardner, and yes, he had what I was looking for. He asked me where I lived. I told him, “Wilmington”. At that point, Eddie suggested I stop by his shop in Peabody to see the prop. That was a big surprise… there was a real magic shop in Peabody? The only shop I was aware of was Hank Lee’s Magic Factory. Which was a well stocked and long established magic shop in Boston. My only hesitation with dropping into Hank’s was the Boston drive and, more so, the Boston parking.
So,I got directions and headed to Diamonds Magic.
In my next and final “Magical Beginnings” I cover the transition to performing as a semi-professional.
In the mid 70’s I began my study of magic as a young adult. I was interested mostly in Card Magic and Coin Magic..
I enjoyed my magic books, although it was sometimes difficult if not impossible to interpret a sleight from the written word. As for mentors, I never had one. I made the best of what resources I had, and learned a lot from what I could extract from my books. Some sleights or tricks, would be impossible for me to process, leaving my development handicapped in some areas.
My main interest was card magic, it always fascinated me. From the stage magicians who would pluck cards out of the air, almost endlessly, to the Close-Up Magicians who would find a previously signed card, inside an envelope, inside a zippered compartment of a wallet.
Perhaps the most famous of card manipulators in the 20th century was Cardini. (Richard Valentine Pitchford) I believe what made him the greatest card manipulator in history, was his stage character. I do not dismiss his technical skills which were second to none.
Cardini
As I recall, he was a British gentleman, returning home from an evening out, and appeared innocently, a little “tipsy”. I urge you to see him in video.
My interest with cards was definitely in the card trick category. I was looking for something a little more “magical”than the twenty one card trick, or the obvious “Key Card” discovery, where you would simply look through the deck and pull out the selection and ask, “Is this your card?”
I previously mentioned Walter Gibson’s book. Soon after I discovered Close Up Card Magic by Harry Lorayne. A much treasured book of many magicians.I also discovered the work of Paul Harris, a young magician who had a unique perspective on magic. His writing was fresh and amusing. No one had ever displayed a sense of humor in their writing of card tricks.
Paul also found new uses for playing cards. Tearing holes in cards and linking and unlinking them like the famous Chinese Linking Rings. Or a regular deck of playing cards, turning into a solid block of cards.
I also started collecting the Tarbell Course in Magic. At that time, it was a collection of books which had been assembled from the original mail order, Tarbell Course in Magic. It is still considered essential reading to this day.
To be complete, I also studied the work of Martin A. Nash and Coin Work in Bobo’s Modern Coin Magic.
Things sometimes change quickly, and in 1978 I stopped all my involvement in magic for about ten years. Next time, my return to magic, and eventually the joy of performing as a semi-professional.
The Magic of Joe Ferranti Boston Massachusetts Close-Up Magician
In 1973, NBC aired a new show called The Magician, starring Bill Bixby. The show only ran one season. I enjoyed the short cameos of professional magicians. One show had a very short clip of Dai Vernon performing his Cups and Balls routine. It began with a sequence of the vanish of three balls. I had a basic knowledge of sleight of hand and easily understood the vanish of the first two balls. What fooled me badly was the vanish of the third ball. This is what I saw. Dai placed the third ball in his hand. He merely closed his hand, and when he opened it, the ball was gone. Wow!, With my understanding of magic methods, this was not possible. Now I would attempt to find out how this was done.
I have lived the major part of my life without the internet, and such was the case back in the 1970s. By this time, I had discovered the Joke/Magic Shops in Boston. My wife at that time worked in Boston and would stop at Little Jack Horner's Joke and Magic Shop on Tremont Street and would pick me up books and various pocket tricks.
In 1975 Boston got its first Magic Shop. Hank Lee's Magic Shop. Just magic, no jokes, no backroom of "magazines", no smoke products or marijuana paraphernalia. Just magic, from pocket tricks to large illusions. Professional magic by professional magicians. A very special time, Magic Lectures, I.B.M. meetings.
Now I knew where to get the secrets I wanted. I tracked down a booklet on Dai Vernon's Cups and Balls routine for $5. (A bargain for the best Cups and Balls routine.) I learned it and performed it at every opportunity I could find, which was few. (More on this next time.)
I first saw magic as a child on the Ed Sullivan Show and Mark Wilson’s, The Magic Land of Allakazam. To say I was fascinated was an understatement. At that time, when you saw a magician perform on TV, it happened once and there was no possibility to see it again and again, as the curious can do now. (The super curious can now examine a performance frame by frame!)
Living in a small town in Massachusetts, I visited the library to read every book available about magic and magicians. The reading was exciting to a young child, but the secrets I was hoping to find were not at The Public Library.
So, my life moved forward with interests in drawing, painting and studies in music. Magic took a back seat. In fact, it was out of my life, and I had no expectation of its return.
Life goes on and we get married, have kids, work, get divorced etc. During this period something changed dramatically in the World of Magic with the arrival of Doug Henning and his Broadway debut in “The Magic Show”.
Later Influences in Magic
Doug Henning
As a young man, Doug had brought magic to a new generation as the Beatles had done with music. Gone were the stereotypes of how a magician would perform or dress. It brought a renewed interest to me.
I was always on the lookout at bookstores for books on Magic, but the pickings were slim. Magic books could be found in the hobby section, but there were never many, and what was there was not very good. I had not yet discovered The Magic Shops in Boston.
My first discovery of a "Real" magic book, published for lay people was “The Complete Illustrated Book of Card Magic” by Walter Gibson. This brought me hours of delight, reading and practicing card magic. I also discovered some of the secrets I was searching for as a young child.
The Magic of Joe Ferranti Top Rated Magician in Massachusetts
January 2021, things were looking positive. Two vaccines had emergency use authorization and a third would be available in February. The only problem was getting an appointment for a shot. Surely we were on our way to ending the pandemic in our country and would move on to help others less fortunate.
On the business side, there was no demand for my Magicians services in Massachusetts or New Hampshire, where I receive 90% of my gigs. As many know, some magicians/entertainers had added virtual services for their clients. It seems to have worked well for some, I chose not to add virtual services for many reasons. Mainly, my knowledge of the technical aspects of providing a virtual show would likely fail to offer a satisfying experience for my clients.
Encouragement came in the spring, as I was contacted to perform for the graduating class at Billerica High School. The event would take place outside, the students and I would be masked. Not my preferred way to work/communicate. However, it worked well and to the complete satisfaction of my clients. (reviews available for ferrantimagic.com on Google.)
When June arrived, I was contacted by the graduating class of Newburyport High School. A client I had worked for previously. At this point, I was vaccinated and so were the students. This was my return to performing in the manner I was comfortable with. The style of magic I perform is called, "Close-Up Magic." further explanation is not necessary.
And so it continued with many more performances, as people had regained a comfort level to gather in intimate settings. All was going great, with an expectation of a busy holiday season, and it was a busy season for holiday parties, Christmas parties, and a few birthday parties. Until...Omicron.
The cancellations began, some due to actual cases of covid, and more due to uncertainty.
As of now, I am not technically closed down, but I have no idea when I will receive my next inquiry. So, realistically, I am "closed down."
And on it goes... as of today, fully vaccinated in the U.S. is at 62.2% or 74% for one vaccination.
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